Najee Brown

Najee A. Brown is a Brooklyn-born playwright, director, producer, and multidisciplinary artist whose work explores social justice, cultural identity, and the power of storytelling to build community. He currently serves as the Artistic Director of the Multicultural Arts Center in Cambridge, Massachusetts, where he leads the artistic vision of the organization and curates interdisciplinary programming that amplifies diverse voices and community engagement through the arts. Brown is also the founder of Theater For The People, a New England-based theater initiative dedicated to creating accessible performance opportunities and uplifting stories from historically marginalized communities. Through the company, he has championed new work by BIPOC artists and fostered dialogue around equity, healing, and social change through performance.

As a playwright, Brown’s work often merges lyrical dialogue, music, and historical imagination. His plays include Stokely & Martin, an original work imagining a private meeting between civil rights leaders Martin Luther King Jr. and Stokely Carmichael, exploring the ideological tensions and shared humanity that shaped the Civil Rights Movement. Other works include The Bus Stop, a socially driven drama centered on the lives of five Black women connected by the experience of incarceration within their families, and Nevaeh’s Brother, part of Brown’s growing body of socially engaged theater. Earlier in his career, Brown co-wrote and directed the musical Glimmerings of Hope, which premiered in New York City and later toured Michigan, and directed and choreographed the award-winning Henry Box Brown – A Musical Journey, which was presented at the Edinburgh Festival in Scotland. During the COVID-19 pandemic, he curated the SOL Series at the Seacoast Repertory Theatre in Portsmouth, New Hampshire, highlighting new work by BIPOC artists during a time when many theater spaces were closed.

Beyond his theatrical work, Brown is a multidisciplinary creative who has performed as a dancer on stages ranging from the Apollo Theater to Carnegie Hall, and he continues to produce work across photography, music, and visual storytelling. Brown is also a founding member of the SeaCHANGE Conference, a creative gathering focused on art, healing, and social transformation that brings together artists, educators, and cultural leaders to explore the role of creativity in shaping a more equitable world. Across his work—as an artist, artistic director, producer, and mentor—Najee A. Brown is committed to building spaces where storytelling, culture, and community intersect, empowering artists to share narratives that challenge, inspire, and transform.

Liz Collins

Liz Collins is a Brooklyn-based multidisciplinary artist whose sustained experimentation with textile installation, sculpture, drawing, and performance has played a pivotal role in expanding the possibilities of contemporary fiber-based art. Her boundary-crossing practice, which challenges hierarchical distinctions between art and craft, is informed by her background as an eponymous knitwear fashion designer and an educator at institutions like RISD. Collins has presented solo exhibitions at major institutions including the Frances Young Tang Teaching Museum and Art Gallery and Touchstones Rochdale (UK), with a mid-career survey, Liz Collins: Motherlode, premiering at the RISD Museum in 2025–26. Her work has been widely exhibited in significant group exhibitions, notably the 60th Venice Biennale (2024) and Woven Histories: Textiles and Modern Abstraction which traveled to MoMA, LACMA, and the National Gallery of Art. Recognized with awards such as an Anonymous Was a Woman Award and a United States Artists Fellowship, her pieces are held in major public collections including the Museum of Fine Arts Boston, the Museum of Arts and Design, and Museu de Arte de São Paulo in Brazil.

Damien Hoar de Galvan

Damien Hoar de Galvan was born in 1979 in Northampton, Massachusetts. As an infant, he lived in both western Massachusetts and Argentina, where his father is from. After celebrating his second birthday in Argentina, his family relocated to Beverly, Massachusetts—his mother’s hometown—where he lived through high school.

Following his graduation from Beverly High School, Hoar de Galvan attended Green Mountain College in Poultney, Vermont, where he played on the soccer team and earned a degree in Behavioral Science in 2001. After graduating, he briefly lived in Portland, Oregon, where he began painting and considering a career as an artist.

In 2002, he moved to Boston, focusing primarily on painting and collage for the next five years. In 2007, he entered the Post-Baccalaureate program at the School of the Museum of Fine Arts (SMFA), completing the program in 2008. During his time at SMFA, he began working in sculpture, spending much of his time in the wood shop.

Since 2008, Hoar de Galvan has worked across a range of materials and approaches, with wooden sculpture emerging as his primary medium. In 2025, he was awarded the James and Audrey Foster Prize from the Institute of Contemporary Art (ICA) Boston. His work has been exhibited throughout the United States. He lives and works in Milton, Massachusetts.

Kathy Ryan

Kathy Ryan, longtime director of photography at The New York Times Magazine, has been a pioneer of combining fine art photography with photojournalism. She has worked with the world's best photographers across all genres of photography. She regularly brought new talent into The Magazine's pages. She left The Times after 39 years to focus on her own artwork, curating exhibitions, teaching a course at Yale, and speaking engagements. 

In 2011, Ryan edited The New York Times Magazine Photographs, a landmark book published by Aperture. An accompanying exhibition, curated by Ryan and Lesley Martin opened at the Rencontres d’Arles in 2012, traveled to FOAM Museum in Amsterdam, Palau Robert in Barcelona, Universidad Catolica in Santiago and ended its run at the Aperture Gallery in New York City.

Office Romance, a book of Ryan’s photographs featuring her colleagues and the beauty and poetry to be found in the radiant light in the New York Times building was published by Aperture in 2014. This work has been exhibited in Europe and the U.S. All of Ryan’s photography is done with the iPhone.

Ryan has contributed essays and Q&A’s to books by photographers Lee Friedlander, Christopher Payne, Seydou Keïta, Paolo Pellegrin, Lynsey Addario, Jack Davison and Brian Finke. She was the picture editor of Feeling the Spirit by Chester Higgins.

The Magazine's photography and videos have been recognized with numerous awards. Ryan was awarded the Dr. Erich Salomon Prize from the German Photographic Society in September 2025. Ryan was a recipient of a lifetime achievement award from the Griffin Museum of Photography in 2007; the Royal Photographic Society’s annual award for Outstanding Service to Photography in 2012; the Vision Award at the Center for Photography at Woodstock in 2014; and the Outstanding Contribution to Photography recognition from Creative Review in 2016. Ryan has been recognized as Photo Editor of the Year by the Lucie Awards and Visa Pour l’Image. Ryan won two Emmys for videos she produced for The New York Times Magazine’s Great Performers series. Kathy was the International Center of Photography’s Spotlight honoree in 2024.